Repertoire List
Fall 2023
Note: I listed these alphabetical by composer last name, with performances in reverse chronological order.
Solo Works Performed
Alexis C. Lamb (b. 1993), Internal Dialogue (2019)
PASIC World Showcase Concert, November 9, 2023, Indianapolis, IN
Murray State University, November 7, 2023, Murray, KY
Louis Raymond-Kolker (b. 1995), currents (2017)
Murray State University, November 7, 2023, Murray, KY
Shaw University, October 17, 2023, Raleigh, NC
University of North Carolina-Greensboro, October 16, 2023, Greensboro, NC
Fayetteville State University, October 6, 2023, Fayetteville, NC
Jonathan Scales (b. 1984), The Longest August (2016)
PASIC World Showcase Concert, November 9, 2023, Indianapolis, IN
Murray State University, November 7, 2023, Murray, KY
Shaw University, October 17, 2023, Raleigh, NC
University of North Carolina-Greensboro, October 16, 2023, Greensboro, NC
Fayetteville State University, October 6, 2023, Fayetteville, NC
Sachelle Thomas (b. 1998), 安息吧 (Be at Peace) (2019)
PASIC World Showcase Concert, November 9, 2023, Indianapolis, IN
Murray State University, November 7, 2023, Murray, KY
Shaw University, October 17, 2023, Raleigh, NC
University of North Carolina-Greensboro, October 16, 2023, Greensboro, NC
Fayetteville State University, October 6, 2023, Fayetteville, NC
Note: I listed these in program order in reverse chronological order of the concert date. If you play multiple instruments, it’s a good idea to indicate what part you played on what piece. E.g. I played timpani and double seconds on the orchestra concert.
If there’s composer/date info missing on the concert program, you’re within your rights to leave it out.
Ensemble Works Performed
High Point University Community Orchestra: Sounds of Water, November 27, 2023
Bedřich Smetana (1824-1884), Vltava (The Moldau) (1874) – timpani
Louis Raymond-Kolker (b. 1995), Summer Springs (2018) – solo double seconds
Gerald Finzi (1901-1956), “I. Allegro Vigoroso” from Concerto for Clarinet and Strings in C minor, Op. 31 (1949) – tacet
Florence Price (1887-1956), The Mississippi River (1934) – timpani
High Point University Clarinet and Percussion Ensembles, November 17, 2023
Jessica Flannigan, “Pine” from Quartets that Travel – tacet
Mat Campbell and Louis Raymond-Kolker, in defense of letting the grass grow lush – tacet
Dave Hall, Slow Burn – Percussion 1
Ninfea Cruttwell-Reade, “I. Poco a poco” and “IV. Moderato” from Four Movements for Mallet Quartet – tacet
Traditional, arr. Tiffany Nicely, Veracruz – cymbal
Traditional, arr. Tiffany Nicely, Vamos a Tabasco – cymbal
High Point University Wind Ensemble: Into the Light, November 4, 2023
Jennifer Jolley, Lichtweg/Lightway – marimba
Kevin Day, Aurora – tacet
Viet Cuong, Diamond Tide – marimba
Cait Nishimura, Intrinsic Light – tacet
Jay Bocook, Into the Light – tacet
John Mackey, Aurora Awakes – vibraphone
Note: Be exhaustive here! If you worked on your A-flat, B-flat, and E-flat scales, put those 3 scales. If you played all major and minor scales, indicate all major and minor scales. Include assignments for Theory/Aural Skills/Musicianship course work as well.
Other Materials Studied/Not Performed
MUS1001 and MUS1002 Practice Assignments:
Practice Journals 1-6
Appendix A: Modes
Appendix B: Chromatic Intervals
Appendix C: Minor Scales
Performance Assignment 1 (Rhythm)
Transcription Assignment – Carly Rae Jepsen, Emotion
Performance Assignment 2 – Keith Jarrett, Coral
Works Composed
“in defense of letting the grass grow lush” – snare drum quartet with desk bells, 4 minutes
co-composed with Mat Campbell
“Reveal” – SSAATB choir with piano or SSAATB choir with percussion quartet, 3.5 minutes
text by Charmaine Cadeau Ward